Asian Flava

BOLLYWOOD ENCORE
- 2nd Desi Night of the Year! -
Venue: TRU (Grand Progress Building 2/F LKF, Central, Hong Kong)DJs: DJ Raz + guest deejaysDate: 3rd Feb 2007Time: 11:30 p.m onwardsNO Cover

Asian Flava Top Ten December 2006

by DJ Guru

1. Maula - DJ Reme Mix (Promo)
2. Woh Lamhe - Dr Zeus Hip Hop Mix
3. Punjabi MC - Mundian to Bachke (Tocadisco Mix)
4. Aneela - Jaande (Remix)
5. Arash - Tike Tike Kardi (Remix)
6. Rahe Rahe - (Rishi Rich Mix)
7. Nitin Sawhney - Rainfall (Bugz Dirty Bruk Down Mix)
8. Fanna - (Hargun's Dirty Hooker Slap Remix)
9. Tetris - Pink Elephant
10. Sonik Gurus - Mo' Bhangra Blues (Instrumental)

Dance Attack it was ….what a night of shiny dancing happy people! Local Desi promoters “Dhols & Sitars Productions” deliberately made a limit on the number of people to come to this party and did not want to pack it up just so that their guests could have the comfort of dancing and being served the daru (liquor) they required to stomp on the dance floor. As usual the crowd was anticipating and hungry for another slammin night , Great job guys !

The party started of with DJ Raz kicking it off with some great riddims and tunes to be getting the party started and he “fo sho” grooved his way till 1:30am starting with easy chill out Desi tunes building his way into some R&B (English & Desi) then crankin it up with some hip hop and finally pumping it up with some classic remixes in time for the man of the night .

1:30am - DJ Reme took the crowd by surprise by using his new technology of mixing, using only his lap top to do the tricks of the trade. He not only made sure they got a Dance Attack, but was himself bouncing off to his live uplifting mixes.

Not did he only mix, but he also made sure the crowd was with him and pumped it up by MC’ing on the mike through out the night….totally Mumbai style! DJ Reme even went as far as putting MCG under the spot light to do a bit free styling during his set & even decided to carry on till the club closes just cause the Hong Kong Desi crowd was such a great rocking crowd! Even DJ VJ, who was suppose to play the last set was indeed happy to let him take over as its not very often you get such talent to perform live, using such technology and playing such exclusive sets, especially in the Hong Kong Desi Scene.

A blessing in disguise for these local talented DJ’s. Over all, a 10 out of 10 again to Dhols & Sitars Production. Thanks to Sunny Lakhu for sponsoring this event . Also a very special thanks to DJ REME for making it such a wonderful night of “DANCE ATTACK” .

Stay tuned for Dhols & Sitars Productions next event “FREAKS OF THE DESI SCENE” featuring a hand full of “Hong Kong Desi” DJ’s right here at “Asian Flava” on www.hkclubbing.com

Desi HipHop Latino Nite is Back
DJ Harry on the Decks + Guest Djs
Saturday, 9th December 2006
at TRU - Lan Kwai Fong
11.30 pm till late
No Cover Charge

ImageIf you could Jay, please attempt to describe yourself in just 5 words.

With a slight grin on his face…

J: As an artist, I have a different persona which people are more interested to get to know about.  However in my day to day to life, it’s different.  I don’t have to do things like this!  That persona still brings out my character and who I am.  So I would say I’m “fun-loving”, “easy-going”, and “ambitious”.

And a bit about your background growing up?

J: I’m born and raised in England, from an Indian family.  Even though I was brought up in Southall, which is known as the Little India of England, I used to go to a private school where it was majority non-Asians.  And because of that, I was able to interact and communicate with people who weren’t exactly like me, and I think that’s important for me working in the music industry.  My friends are from all walks of life, and that keeps me open minded.

Who or what in the music field inspired you to simply do what you do?

J: I fell in love in with Hip Hop when I was quite young, and started listening to guys like Tribe  Called Quest and NBN (Naughty by Nature), and that inspired me to write lyrics.  So when I was about 12 or 13 years old, I was writing my own lyrics.  It got me into rhyming and writing what I think. 

When you’re out of the studio and not performing all over the world, what does Jay Sean do to keep himself busy, whilst being “fun-loving”, “easy-going” and “ambitious”?

J : I love films, I’m truly a film geek. It’s definitely about the psychological thrillers for me!  I enjoy keeping fit and going to the gym.  I love my family and my friends, and try and spend as much time as I can with them.  It’s the people who you’ve grown up with who really stick with you. 

You gave us a few words describing yourself.  Can you give us 5 of your personal favourite tunes?

J : Oh.. oh!  Don’t know how I’m going to answer that! 

Okay then.  How about just 3?  (Being an Indian too, I’m sure he’ll go for the bargain!)

Alright then!  Off the top of my head, Stevie Wonder’s Ribbons in the Sky, Boyz II Men’s Water Runs and Naughty By Nature’s Hip Hop Hooray.

 


How would you define your musical style? 

J : It’s basically RnB and Hip Hop.  That’s the best way I can define it.  It’s all in English, rapped in English, but there is that thread of Indian / ethnic sounds.  And I think it’s that sound that gave it a chance to resonate to so many kids throughout the Middle East and Asia. 

Did you see yourself getting into this particular genre?  It is after all a new sub-culture of music which you are a key play a key role in.

J : I don’t like breaking music down to such specific genres.  My background has always been Hip Hop and RnB, and I feel like I’ve stuck with that.  The only thing Asian about it is me.  If you think on the contrary, you could then say that Eminem is white Hip Hop!  It all comes down to being part of that niche. 

Would you consider yourself as a global or niche artist?

Again, defining music too specifically doesn’t work for me.  My approach is a global one, and I write music for whoever wants to listen to it. 

About your gig in Hong Kong…

I loved it!  The gig was amazing!  It was energetic and exciting.  One of the good things was that there was no fighting!  Unlike in England, when you get a lot Asians together.  But this was nice, the crowd was great and chilled out.  I really liked it.

A few thoughts on your trip to Hong Kong…

The people here seem to be quite passive.  There’s no aggression, they’re really friendly.  The shopping’s great out here too!

Jay Sean rocked over 300 ecstatic Hong Kong fans on Diwali Day.  On behalf of everyone who came to see and support you, we welcome you back to Hong Kong any time to show us more of your love and language of music.

Interview by Arun R.

Reality Check on the HK Desi Scene

There are two types of Desi music that currently hold the scene in place: ‘Bollywood’ and ‘Bhangra’.  Today, the difference between the two styles has become less apparent with more films now adopting the fierce beats and rhythms from India’s state of Punjab, and more producers from around the world that are influencing the Bollywood sound with a Westernised crossover.  However, in terms of quality of music, it can be agreed by many that Bollywood songs released nowadays are targeted at the ‘commerical-pop’ market.   On the contrary, Bhangra music released today has a very strong urban influence, usually in the form of Hip Hop, R&B and UK Garage.  The feel of the music is quite undgerground; with the efforts and support of several producers and artists such as Rishi Rich, Bobby Friction, DJ Sanj, Bally Sagoo, Dr Zeus and Bohemia (to name a few), the underground element has actually served as a tool to pushing Bhangra music into International charts.

In a club, most Bollywood tracks played out by DJs are remixed either with funky house or hip hop beats, but there are still certain elements that make a tune playable in a club that are missing.  Artists such as Himmesh Reshhmiya, DJ Aqeel, DJ Suketu, DJ Nyk,  have definitely re-shaped and re-defined the club mixes of Bollywood tracks where various styles of music are adopted.  However, the appeal of the music is based on several influential factors; all Bollywood tracks are released through the film industry which in India today, is one of the most successful and prosperous industries.  With a rapidly growing middle class sector, India’s consumer market is overwhelmed by the influence of Bollywood.  Furthermore, what we hear today is what I believe as the modern transformation of Bollywood, catered to an ever-growing sector of trend-following youth.  This transformation is being realised with simple beats, catchy riffs and sing-a-long vocals that when even played in a club, the DJ could cut the chorus and it would still be treated like karaoke.

A word use very commonly amongst Hong Kong Indians: ‘export’.  The Indian sound has been imported all over the world now.  It has been accepted as something new and experimental both in the underground and mainstream markets.  As Paris Hilton would say, ‘That’s hot’.  Now in Hong Kong, Bollywood dominates the party scene with fine DJs like Raz, Leo and the 3 Phat DJs hosting regular nights at some of Hong Kong’s finest nightspots.  Even without crediting myself, I can say that the Desi Scene has reached a new level in Hong Kong – it is publicised, established and most importantly, it is vibrant.  Publications and top industry heads now take Desi music as a serious genre in the clubbing scene.  

However, there are still subtle issues which prevent the scene from reaching greater levels of achievement.  With so much music available to the Desi party crowd, a majority still feel that restricting themselves to what is most commonly heard is just easier than to clean out their ears and listen to something new and different.  DJs have to play by request, and for the innovative artist, this method is both restrictive and never-ending.  If Latinos can dance to and enjoy both Salsa and Reggaeton, why can’t Indians living overseas (in this case, in Hong Kong) appreciate elements of both Bollywood and Bhangra?

If you have any feedback or want to post comments, feel free to start a thread in the forums or even simply post a reply to this!

Written by Arun R.
November 2006

November 25th, DnS Productions presents Dance Attack

DJ Reme from Mumbai spins Bollywood remixes all night

With support from DJ VJ and DJ Raz.

Venue:Club Sugar - Champagne Room

Time: 11pm onwards

Tickets: $150 in Advance / $200 at door

 

 

Asian Flava Top Ten Chart - November 2006

by DJ Guru

 

1. Fanaa - (Hargun's Dirty Hooker Slap Remix)*

2. Shael - Nachle Soniye Tu

3. Nitin Sawhney - The River (Aaron Jerome Mix)

4. Kanye West - Gold Digger (RDB Mix) - Asian Roc

5. Surinder Shinda - Tenu Blondie (Electro Mix)

6. Kronos Quartet & Asha Bhosle - Dum Maro Dum - Take Another Toke

7. Bikram Singh & Gunjan vs. J Keyz - Kawans Other Life (Jay Dabhi)

8. El Bambino ft. Omar and Beenie Man - Flow Natural (Remix)

9. Aphrodite - Calcutta

10.  Indian Ropeman - Hindu Press-Up

 

* Hargun's remix courtesy of Digital Circus

 

DJ RAZ brings out the  heat with fresh and funky mixes of all your favourite B-WOOD tunes!

11.30 pm till late

Tru, Lan Kwai Fong (opposite Bulldog's)

No Cover 

Saturday 18th November'

DJ Leo concocts Desi, Bhangra and Bollywood beats!

Added attractions and late night surprises

11pm till Sunrise 

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